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c. 1445 – May 17, 1510. Italian painter.

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Lucas Cranach the Elder
Torgauer Ferstenaltar

ID: 91130

Lucas Cranach the Elder Torgauer Ferstenaltar
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Lucas Cranach the Elder Torgauer Ferstenaltar


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Lucas Cranach the Elder

b. 1472, Kronach, d. 1553, Weimar. German painter and printmaker. He took his name from the town of his birth. Little is known about his early life or training. In Vienna (c. 1501 ?C 04) he painted some notable portraits and landscapes characteristic of the Danube school. From 1505 to 1550 he was court painter in Wittenberg, where he achieved great success and wealth painting portraits, mythological subjects, and altarpieces for Protestant and Catholic churches. He attracted so many young artists to Wittenberg that the town became an art centre. A friend of Martin Luther, Cranach became known as the chief pictorial propagandist of the Protestant cause in Germany. He produced numerous engravings and more than 100 woodcuts, notably for the first German edition of the New Testament (1522). After his death, his style was perpetuated by his son, Lucas the Younger (1515 C 86).  Related Paintings of Lucas Cranach the Elder :. | Lucas Cranach the Elder | The Crucifixion | Old man beguiled by courtesans | Portrat des Dr. Johannes Cuspinian | Madonna with Child with Young John the Baptist |
Related Artists:
Anders Lunde
(1809- 1886 ) painted Italiensk Bjerglandskab. Parti fra omegnen af Subiaco Anders Christian Lunde
BERCKHEYDE, Gerrit Adriaensz.
Dutch Baroque Era Painter, 1638-1698 Brother of Job Berckheyde. Gerrit specialized in a particular type of architectural subject, the TOWNSCAPE. His painted work shows a debt not only to Pieter Saenredam's conception of the building portrait but also to Saenredam's refined draughtsmanship and dispassionate attitude; these qualities mark Berckheyde as a classicist and akin to Vermeer. Berckheyde favoured views of monuments on large open squares, a choice that distinguishes him from the other great Dutch townscape painter, Jan van der Heyden, who preferred views along canals in which clarity was sacrificed for pictorial effect.
The Freake Limner
American Colonial Era Painter, active 1670-ca.1680






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